A story of love, loss and faith

Abby Wright has created this beautiful brand new contemporary illustration especially for our project. it is inspired by Millais’ painting, which we show and use at the MAWF workshops and events.

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Abby’s Illustration
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A Huguenot by John Everett Millais

A Huguenot, on St. Bartholomew’s Day, (1852) by John Everett Millais. Set in the French Wars of Religion, the young woman is trying to make her lover wear the white scarf which would protect him from persecution and possibly death. He, despite his love for her refuses to renounce his faith.

Painted in Victorian England, the picture uses The Language of Flowers, showing Canterbury Bells and Nasturtiums to express faith and patriotism.

“They wrap each other up, but also pull in opposite directions” S.P Casteras

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Valentina and Raoul, standing by the wall…

Abby Wright has created this exquisite illustration inspired by the famous painting of A Huguenot by John Everett Millais. Millias’ painting was an inspiration for the story which we tell in our set of songs ‘The Auricula Suite’

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A Huguenot, on St. Bartholomew’s Day, (1852) by John Everett Millais: Set in the French Wars of Religion, the young woman is trying to make her lover wear the white scarf which would protect him from persecution and possibly death. He, despite his love for her refuses to renounce his faith.

Painted in Victorian England, the picture uses The Language of Flowers, showing Canterbury Bells and Nasturtiums to express faith and patriotism.

a huguenot biggest
“They wrap each other up, but also pull in opposite directions” S.P Casteras

Abby’s special illustration is very nearly ready to be unveiled

A story of love, loss and faith

Abby Wright is creating a brand new contemporary illustration, inspired by Millais’ painting which we will show and use at the MAWF workshops. Keep an eye on the website, we will unveil it very soon now. In the meantime, here is Millais’ painting…

A Huguenot by John Everett Millais
A Huguenot by John Everett Millais

A Huguenot, on St. Bartholomew’s Day, (1852) by John Everett Millais. Set in the French Wars of Religion, the young woman is trying to make her lover wear the white scarf which would protect him from persecution and possibly death. He, despite his love for her refuses to renounce his faith.

Painted in Victorian England, the picture uses The Language of Flowers, showing Canterbury Bells and Nasturtiums to express faith and patriotism.

“They wrap each other up, but also pull in opposite directions” S.P Casteras

 

English Garden

The next chapter of our Auricula Suite tale…

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In our next song, many years have passed by, and Valentina embraces life in England, growing roses in her English garden. Millais’ painting is full of coded messages – the Victorian concept of ‘the language of flowers’. Red roses symbolise passion. In Millais’ painting of the lovers standing by the wall the young woman is trying to make her lover wear the white scarf that would protect him from persecution and possibly death, and he, despite his love for her refuses to renounce his faith. Here Canterbury Bells signify faith; and Nasturtiums, patriotism. Valentina settles in the East Coast of England, she marries and has a family. But she never did forget Raoul.

I work the land here, I rise each morning
I thank the Lord and reap what I have sown.
I left my homeland, but kept my God-fear
I looked up to him when I set off alone.

I’m long since married; I have three daughters,
I love them dearly and we are family
And my garden is full of roses
I give them water and feed them tenderly.

My husband loves me; we work together
And spend the evenings until the fire burns low.
But when my candle is pale and smoky
I think back to you, I never let you go.

.
Our last embrace by the wall,
You kept your faith, you would not lie
The broken bell signalled your fall,
I never knew if you would live or die

In the darkness we lay down in the heather
One kiss to last forever, before I went to sea.
My eldest daughter, she looks so like you.
But home is here now, what is and what will be.

.
I made my life here; I rise each morning
I thank the Lord and reap what I have sown
I left my homeland but kept my God-fear
I looked up to Him when I set off alone

.
I made my life here; I rise each morning
I thank the Lord and reap what I have sown
And in my garden, my English garden
I tend my roses, and water them…alone.

© 2012  Lou Duffy-Howard

Auriculas grown and photographed by Richard Duffy-Howard

The Same Sky

The lovers in our story, Valentina and Raoul, have been torn apart when Valentina escapes from persecution during the Reformation and comes to live in England, while Raoul stands by his faith and stays in France, facing an uncertain future, possibly death. 

This song is Raoul’s story. He is so sad now that his lover has gone, but looks up at the heavens and feels comfort in knowing that wherever she is, she’ll look up and see the same moon, the same stars…The Same Sky.

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I don’t know where you are
But I guess where you’ll be
Under the same sky as me
Where you’ll be, well I guess
‘Cross the cold northern sea
Follow the same star as me

Now you’re gone

In a strange land you are
But not alone refugee
Under the same moon as me
Where you’ll be, well I guess
But I know what you’ll see
See the same sky as me

Now you’re gone

I don’t know where you are
But I guess where you’ll be
Under the same sky as me
Where you’ll be, well I guess
Growing flowers for me…

I feel the same sun!

Under the same sky

© 2012  Rich & Lou Duffy-Howard

Auriculas grown and photographed by Richard Duffy-Howard

Kings and Weavers

A huguenot
A Huguenot by John Everett Millais

Kings and Weavers is the next song in The Auricula Suite. It introduces the history of the flower, the Primula auricula, whose origins are in the Alps. Imagine how it will have been trampled underfoot by the Roman Legions travelling across the continent two thousand years ago. By the 16th century the auricula became a symbol of wealth and was grown in what is now France and Belgium by the first people to be known as ‘florists’ – The Huguenot people. They were also craftsmen and women, weavers and silk workers. In our tale the Huguenot people made auricula growing popular in England when they came here as refugees in the 16th century.

‘Kings and Weavers’ introduces the young couple in our story, Valentina and Raoul. Although Valentina and Raoul are fictional, they represent many people fleeing persecution and making a new life in a new and strange land, even here, today. I imagine Valentina and Raoul are similar to the couple standing in the walled garden in Huguenot Victorian artist, John Everett Millais’ painting, A Huguenot on St Bartholomew’s Day.

Flower of kings and of weavers
Crushed underfoot on the mountainsides of Gaul
Leaves of green for a queen and a thousand different colours
Comfort of the soldier on the wall
.
I will come for you
I will find you…
.
Your flower theatre will remind me
Of the gardener and the skillful artisan
Of Reformation time, and the people
On a journey to find a new homeland
.
I will come for you
I will find you…
.
The flower of kings will live forever
The flower of weavers will go on
Spell or cure on a starry night
The moon in the middle of the flower shines bright
I can see it too babe
.
I will come for you
I will find you…
.
Flower of kings
Flower of weavers
Green leaves for a queen
And colours for all
From high in the mountains
To the Huguenot gardens…
I’m thinking of you…standing by the wall

Valentina and Raoul, in the Huguenot garden,

Valentina and Raoul, by the wall…

© 2012  Lou Duffy-Howard

The Same Sky Overture

We have recorded a set of songs written to complement the project story.  You can hear the first one here. It’s the only instrumental in The Auricula Suite,  featuring guitars, hammer dulcimer and a beautiful lonesome hurdy gurdy solo; The Same Sky Overture.

The Auricula Suite is our set of songs telling folk tales of a journey to a new land; a story of love and loss, persecution and a new beginning – inspired by the small alpine Primula auricula and the folk tale of its 16th century journey to England with the Huguenot refugees.

The Same Sky is Raoul’s lament. His lover, Valentina, has escaped persecution on a ship to England, but Raoul stands by his faith and refuses to go.   It’s a sad song, now that his lover has gone. He looks up at the heavens and feels comfort in knowing that wherever she is, she’ll look up and see the same moon, the same stars……The Same Sky

© 2012 Duffy-Howard

Chapter 4 The English Garden

Years go by, and Valentina embraces life in England, growing roses in her English garden. Millais’ painting is full of coded messages – the Victorian concept of ‘the language of flowers’. Red roses symbolise passion. In Millais’ painting of the lovers standing by the wall the young woman is trying to make her lover wear the white scarf that would protect him from persecution and possibly death, and he, despite his love for her refuses to renounce his faith. Here Canterbury Bells signify faith; and Nasturtiums, patriotism.

A Huguenot by John Everett Millais
A Huguenot by John Everett Millais

Valentina settles in the East Coast of England, she marries and has a family. But she never did forget Raoul.

I work the land here, I rise each morning
I thank the Lord and reap what I have sown.
I left my homeland, but kept my God-fear
I looked up to him when I set off alone.

I’m long since married; I have three daughters,
I love them dearly and we are family
And my garden is full of roses
I give them water and feed them tenderly.

My husband loves me; we work together
And spend the evenings until the fire burns low.
But when my candle is pale and smoky
I think back to you, I never let you go.
Our last embrace by the wall,
You kept your faith, you would not lie
The broken bell signalled your fall,
I never knew if you would live or die

In the darkness we lay down in the heather
One kiss to last forever, before I went to sea.
My eldest daughter, she looks so like you.
But home is here now, what is and what will be.
I made my life here; I rise each morning
I thank the Lord and reap what I have sown
I left my homeland but kept my God-fear
I looked up to Him when I set off alone
I made my life here; I rise each morning
I thank the Lord and reap what I have sown
And in my garden, my English garden
I tend my roses, and water them…alone.

Chapter 1 Kings and Weavers

My Ancestors were French…a tale inspired by the lovely little alpine flower, the Primula auricula and the story of how it came to be grown and displayed on Auricula Theatres here in England – a fascinating folk tale of love, loss and new beginnings.

There are seven musical chapters to the story.

Chapter One – Kings and Weavers 
The Primula auricula is a little flower whose origins are in the Alps. Imagine how it will have been trampled underfoot by the Roman Legions travelling across the continent two thousand years ago. By the 16th century the auricula became a symbol of wealth and was grown in what is now France and Belgium by the first people to be known as ‘florists’ – The Huguenot people. They were also craftsmen and women, weavers and silk workers. It is believed to be the Huguenot people who made auricula growing popular in England when they came here as refugees from the French wars of religion in the 16th century.

‘Kings and Weavers’ introduces the young couple in our story, Valentina and Raoul. Although Valentina and Raoul are fictional, they represent many people fleeing persecution and making a new life in a new and strange land, even here, today. I imagine Valentina and Raoul are similar to the couple standing in the walled garden in Huguenot Victorian artist, John Everett Millais’ painting of a Huguenot on St Bartholomew’s Day.

A huguenot
A Huguenot on St Bartholomew’s Day

“They wrap each other up, but also pull in opposite directions” S.P Casteras

© 2012 Duffy-Howard